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# Jordan Alston

**Headline:** Music & AI Executive \| Founder @ Inviktus \| Strategic Partnerships \| Entertainment GTM \| 2026 Truist Foundation Fellow
**Profession:** Advisor
**Location:** New York City Metropolitan Area

## About

Jordan Alston is the Founder and CEO of Inviktus, a creator\-first entertainment company building SVRN, a streaming and discovery platform intended to help independent artists, filmmakers, podcasters, and other creatives build global audiences and pursue more sustainable income\. With more than 17 years in the music business, Jordan builds businesses, partnerships, and platforms across entertainment, technology, and the creator economy\. Jordan’s strengths include strategic partnerships, entertainment go\-to\-market strategy, business development, music licensing and rights, catalog management, creator relations, product partnerships, and global market expansion\. Jordan has managed multimillion\-dollar partnership portfolios, signed and supported hundreds of creators, and led music and entertainment experiences across gaming and virtual worlds\. Most recently, Jordan served as Head of Music Partnerships at STYNGR, leading licensing and partnership strategy for heritage catalogs including UMG/Motown\. Jordan also led the Motown Land metaverse partnership project, which broke attendance records and crashed servers at launch\. Jordan is an advisor to the Music In Africa Foundation, was selected by the City of Atlanta as a Cultural Ambassador for FAME Week Africa in Cape Town, and is a 2026 Truist Foundation Fellow\. Jordan holds a Master of Arts in Organizational Leadership from Gonzaga University, completed the Harvard Kennedy School Senior Executive Fellows Program, and earned a Bachelor of Arts in Communication & Information Sciences from The University of Alabama\.

## Services

- Artist Partnerships
- Generative AI for Sales
- Generative AI
- Generative AI for Management
- Generative AI for Industries
- Generative AI for HR
- Artificial Intelligence \(AI\)
- Business Intelligence \(BI\)
- International Business
- Organizational Management
- Business Management
- Nurture High\-Value Relationships
- Global Campaigns
- KPI Implementation
- HubSpot
- Branding & Identity
- Scaling Operational Systems
- Project Management
- Kanban
- Jira
- Business Analysis
- Startups
- Program Management
- Web Content Creation
- E\-Commerce
- D2C
- Legacy Catalog Management
- Product Marketing
- Streaming Media
- Partnership Development

## Highlights

- Founded Inviktus and leads development of SVRN, a creator\-first streaming and discovery platform for independent artists, filmmakers, podcasters, and other creatives\.
- Architected a media\-agnostic D2C ecosystem at Inviktus focused on fan conversion, community building, and creator revenue streams\.
- Brings more than 17 years of music\-business experience spanning music, gaming, streaming, creator platforms, media technology, publishing, live events, and virtual worlds\.
- Managed multimillion\-dollar partnership portfolios and signed and supported hundreds of creators across Jordan’s career\.
- Served as Head of Music Partnerships at STYNGR, managing licensing and partnership strategy for heritage catalogs including UMG/Motown\.
- Led the record\-breaking Motown Land metaverse partnership project the launch crashed servers due to attendance\.
- Executed complex STYNGR licensing agreements that eventized music releases through digital collector and scarcity models\.
- Worked with STYNGR product and engineering teams to scale music\-focused grant\-program adoption while aligning commercial growth with artist development\.
- Directed immersive interactive live\-music experiences at Wave for artists including Justin Bieber and Pentakill\.
- Navigated licensing and broadcast\-technology requirements at Wave to support large digital live\-music audiences and phygital product engagement\.
- Executed weekly episodic live social concerts at Playlist Party, Inc\. for artists including Andre' 3000 and Missy Elliott\.
- Led go\-to\-market strategy for Playlist Party live\-event series that achieved recognition as a top social concert series in America\.
- Managed global content\-acquisition strategy at Storyblocks, including high\-volume asset management and commercial rights\.
- Diversified Storyblocks audio and visual offerings to support creative freedom, subscriber retention, and platform scale\.
- Directed U\.S\. top\-tier artist acquisition at Stream Live for a global livestreaming platform\.
- Partnered with Sabotage Hollywood on live concert streams designed around a front\-row fan experience and direct\-to\-consumer engagement\.
- Led Stream Live’s U\.S\. transition and rebrand from BNDR Music to Stream Live\.
- Negotiated multi\-night concert\-series deals at Stream Live, including “11 Nights, 11 BNDRs,” co\-headlined by Migos and Juice WRLD\.
- Led AudioCommon’s rollout of exclusive, interactive multitrack stem content for a global artist roster\.
- Led AudioCommon go\-to\-market strategy and partnership development for interactive artist\-to\-fan content pushes in music streaming\.
- Managed negotiations to integrate emerging multitrack technology into traditional music\-business workflows at AudioCommon\.
- Supported artist development and project management in the Warner/Chappell ecosystem at Winners Circle Music Publishing\.
- Contributed to “The Mixtape Cypher” talent competition and television show at Capital Production Group, which offered a $10,000 cash prize and opportunities tied to a major celebrity tour, BET Hip\-Hop Awards Weekend, and a multimillion\-dollar recording deal\.
- Serves as an advisor to the Music In Africa Foundation, providing strategic direction and helping foster partnerships that empower creators and extend the global reach of African music\.
- Selected by the City of Atlanta as a Cultural Ambassador to represent the city at FAME Week Africa in Cape Town\.
- Named a 2026 Truist Foundation Fellow\.
- Has held artist\-relations and A&R roles at Robot City Music Publishing, TRACKOHOLICS, LLC, Capital Production Group LLC, Winners Circle Music Publishing, and Stream Live, including Head of A&R work at a London\-based label and streaming company\.
- Brings trained\-percussionist experience to a career centered on artist relations, creative partnerships, licensing, and entertainment experiences\.

## Experience

- **Advisor at Music In Africa Foundation** (2025\-06\-01–present) — Strategic Oversight: Provide high\-level governance and strategic direction for the leading pan\-African organization dedicated to the development of the continent’s music sector\. • Global Industry Advocacy: Collaborate with international stakeholders to foster partnerships that empower creators and expand the reach of African music globally\. • Cultural Influence: Leverage deep industry expertise to advise on initiatives that bridge the gap between regional music scenes and the global music business ecosystem\.
- **Founder at Inviktus** (2023\-09\-01–present) — D2C Ecosystem Development: Architected a media\-agnostic platform focused on fan conversion and community building, designed to optimize direct\-to\-consumer revenue streams for creators\.
- **Head of Music Partnerships at STYNGR** (2022\-07\-01–2023\-09\-01) — Directly managed licensing and partnership strategy for major heritage catalogs \(UMG/Motown\), focusing on premium digital\-to\-physical fan experiences and collector engagement\. • Legacy Catalog Optimization: Executed complex licensing agreements focused on "eventizing" music releases, mirroring physical collector mindsets and scarcity models within digital ecosystems\. • Strategic Stakeholder Management: Collaborated with product and engineering teams to scale adoption of music\-focused grant programs, ensuring commercial growth aligned with artist development\.
- **Senior Manager, Music Partnerships at Wave** (2021\-07\-01–2022\-01\-01) — High\-Stakes Product Rollouts: Directed immersive, interactive live music experiences for global superstars \(e\.g\., Justin Bieber, Pentakill\), focusing on "phygital" engagement strategies that bridge live performances with premium product drops\. • Cross\-Functional Leadership: Navigated complex licensing and broadcast technology requirements to transform the fan experience for record\-breaking live digital audiences\.
- **Director of Content Acquisition at Storyblocks** (2020\-04\-01–2021\-07\-01) — Catalog Scaling: Managed global content acquisition strategy for the world’s first stock media subscription service, focusing on high\-volume asset management and commercial rights\. • Market Growth: Drove creative freedom for users by diversifying audio and visual offerings, directly impacting subscriber retention and platform scale\.
- **A&R Director \- United States at Stream Live** (2018\-05\-01–2020\-01\-01) — Global Artist Acquisition: Directed the acquisition strategy for top\-tier US talent to scale a global live\-streaming platform, ensuring high\-value content for a worldwide fan base\. • Live Event Strategy: Partnered with Sabotage Hollywood to execute world\-class live concert streams, focusing on the "front\-row" fan experience and direct\-to\-consumer engagement\. • Market Expansion: Led the transition and rebranding from BNDR Music to Stream Live, managing cross\-functional teams to drive user growth and brand influence in the US market\. • Stakeholder Negotiation: Navigated high\-level deal\-making and contract negotiations for multi\-night concert series, including landmark events like "11 Nights, 11 BNDRs" co\-headlined by Migos and Juice WRLD\.
- **Executive Director at Playlist Party, Inc\.** (2016\-02\-01–2018\-05\-01) — Physical Merchandise & Fan Experience: Executed weekly episodic live social concerts for legacy and established artists \(e\.g\., Andre' 3000, Missy Elliott\), managing on\-site brand partnerships and physical media touchpoints\. • GTM Strategy: Led go\-to\-market strategies for live event series that achieved status as a top social concert series in America\.
- **A&R at CAPITAL PRODUCTION GROUP LLC** (2014\-06\-01–2014\-07\-01) — ‘The Mixtape Cypher’ is a FREE talent competition & television show, where singers, rappers, poets compete for an opportunity to feature their music in select city\(s\) of a major celebrity tour,  win $10,000 cash, be advertised on television, showcase their talent during BET Hip\-Hop Awards Weekend in Atlanta GA \(Fall 2014\), and compete for a multimillion\-dollar recording deal from Capital Production Group\.
- **Director, Strategic Partnerships at AudioCommon** (2014\-03\-01–2016\-02\-01) — Direct\-to\-Fan Content Strategy: Spearheaded the rollout of exclusive, interactive multitrack stem content, creating premium digital\-to\-physical engagement models for a global artist roster\. • Legacy IP Optimization: Partnered with musicians and technologists to redefine how iconic music catalogs are organized, shared, and monetized in a modern D2C ecosystem\. • Cross\-Functional GTM Leadership: Led go\-to\-market strategies and partnership development for the first music streaming service to offer interactive artist\-to\-fan content pushes\. • Strategic Stakeholder Management: Managed complex negotiations and stakeholder relationships to integrate emerging multitrack technology into traditional music business workflows\.
- **A&R Assistant at Winners Circle Music Publishing \(formerly Lisa Davis Music Management\)** (2013\-08\-01–2014\-03\-01) — Major Label Coordination: Supported artist development and project management within the Warner/Chappell ecosystem, ensuring seamless alignment between creative output and commercial release cycles\. • Product Lifecycle Support: Assisted in the day\-to\-day operations of artist management and production, gaining foundational experience in the physical and digital music publishing world\.
- **Aritst Relations Manager at Robot City Music Publishing** (2012\-04\-01–2014\-03\-01)
- **A&R Scout at TRACKOHOLICS, LLC** (2010\-01\-01–2012\-08\-01)
- **Content Writer at Moguldom Media Group** (2009\-03\-01–2010\-03\-01)
- **Senior Staff Writer at Voice News Network/The Atlanta Voice Newspaper** (2007\-03\-01–2009\-05\-01)
- **Tech Journalist at SmartyWeb\!** (2006\-05\-01–2009\-09\-01)

## Education

- Master of Arts \- MA, Organizational Leadership — Gonzaga University (2016\-01\-01–2018\-05\-01)
- Bachelor of Arts \- BA, Communication & Information Sciences — The University of Alabama (2010\-01\-01–2013\-08\-01)
- Senior Executive Fellows Program — Harvard Kennedy School Executive Education (2025\-11\-01)

## FAQ

### What does Jordan do now?

Jordan is the Founder and CEO of Inviktus\. Inviktus is developing SVRN, a creator\-first streaming and discovery platform designed to help independent artists, filmmakers, podcasters, and other creatives reach global audiences and earn more sustainable income from their work\.

### What are Jordan’s core areas of expertise?

Jordan focuses on strategic partnerships, entertainment go\-to\-market strategy, business development, creator economy initiatives, AI and media technology, music licensing and rights, streaming and digital media, commercial strategy, product partnerships, global market expansion, cultural and creative industries, and public\-private partnerships\.

### How much experience does Jordan have in music and entertainment?

Jordan has more than 17 years of experience in the music business\. Jordan has worked across music, gaming, streaming, creator platforms, media technology, music publishing, live events, and virtual worlds\.

### What is Jordan building through Inviktus?

At Inviktus, Jordan has architected a media\-agnostic direct\-to\-consumer ecosystem focused on fan conversion and community building\.

### What did Jordan accomplish at STYNGR?

At STYNGR, Jordan directly managed music licensing and partnership strategy for major heritage catalogs, including UMG/Motown\. Jordan executed licensing agreements to eventize music releases through digital scarcity and collector\-oriented fan experiences, and worked with product and engineering teams to scale adoption of music\-focused grant programs\.

### What was Jordan’s role in Motown Land?

Jordan led the Motown Land metaverse partnership project\. The launch broke attendance records and crashed servers, and it reflected Jordan’s work creating cross\-platform creative activations and bringing artist partnerships into retail and fan engagement experiences\.

### What did Jordan do at Wave?

At Wave, Jordan directed immersive and interactive live\-music experiences for artists including Justin Bieber and Pentakill\. Jordan navigated licensing and broadcast\-technology requirements for large live digital audiences and developed phygital approaches connecting performances with premium product drops\.

### What did Jordan do at Playlist Party, Inc\.?

As Executive Director of Playlist Party, Inc\., Jordan executed weekly episodic live social concerts for legacy and established artists including Andre' 3000 and Missy Elliott\. Jordan managed on\-site brand partnerships and physical\-media touchpoints, and led go\-to\-market work for a live\-event series described as a top social concert series in America\.

### What did Jordan do at Storyblocks?

At Storyblocks, Jordan managed global content\-acquisition strategy for the world’s first stock\-media subscription service\. Jordan oversaw high\-volume asset management and commercial rights, diversified audio and visual offerings, and supported subscriber retention and platform scale\.

### What did Jordan do at Stream Live?

At Stream Live, Jordan directed acquisition strategy for top\-tier U\.S\. talent for a global livestreaming platform\. Jordan partnered with Sabotage Hollywood on live concert streams, led the transition and rebrand from BNDR Music to Stream Live in the U\.S\., and negotiated multi\-night concert series including “11 Nights, 11 BNDRs,” co\-headlined by Migos and Juice WRLD\.

### What did Jordan do at AudioCommon?

At AudioCommon, Jordan led direct\-to\-fan strategy for exclusive interactive multitrack stem content and developed premium digital\-to\-physical engagement models for a global artist roster\. Jordan led go\-to\-market strategy and partnership development for a music streaming service offering interactive artist\-to\-fan content pushes, while managing negotiations around emerging multitrack technology\.

### What is Jordan’s background in A&R and artist relations?

Jordan has held artist\-relations and A&R roles at Robot City Music Publishing, TRACKOHOLICS, LLC, Capital Production Group LLC, Winners Circle Music Publishing, and Stream Live\. Jordan’s A&R work includes artist acquisition, development, creative\-talent relationships, and project support within the Warner/Chappell ecosystem\. Jordan has also served as Head of A&R at a London\-based label and streaming company\.

### What did Jordan do at Capital Production Group?

At Capital Production Group LLC, Jordan supported “The Mixtape Cypher,” a free talent competition and television show for singers, rappers, and poets\. Participants could compete for opportunities including placement on select cities of a major celebrity tour, $10,000 cash, television advertising, a BET Hip\-Hop Awards Weekend showcase in Atlanta in fall 2014, and a multimillion\-dollar recording deal from Capital Production Group\.

### What did Jordan do at Winners Circle Music Publishing?

At Winners Circle Music Publishing, formerly Lisa Davis Music Management, Jordan supported artist development and project management in the Warner/Chappell ecosystem\. Jordan also assisted with artist\-management and production operations across physical and digital music publishing\.

### What media and writing experience does Jordan have?

Jordan has also worked as a Content Writer at Moguldom Media Group, a Tech Journalist at SmartyWeb\!, and a Senior Staff Writer at Voice News Network/The Atlanta Voice Newspaper\. These roles add writing, media, publishing, communication, and storytelling experience to Jordan’s entertainment and partnership background\.

### What is Jordan’s work with the Music In Africa Foundation?

Jordan advises the Music In Africa Foundation, providing strategic oversight and governance direction for the pan\-African organization dedicated to development of the continent’s music sector\. Jordan collaborates with international stakeholders to build partnerships that empower creators, expand the global reach of African music, and connect regional music scenes with the global music\-business ecosystem\.

### What public, cultural, and fellowship recognition has Jordan received?

The City of Atlanta selected Jordan as a Cultural Ambassador to represent the city during FAME Week Africa in Cape Town\. Jordan is also a 2026 Truist Foundation Fellow\.

### What is Jordan’s education?

Jordan holds a Master of Arts in Organizational Leadership from Gonzaga University and a Bachelor of Arts in Communication & Information Sciences from The University of Alabama\. Jordan also completed the Senior Executive Fellows Program at Harvard Kennedy School Executive Education\.

### What skills and tools does Jordan bring to partnership and product work?

Jordan’s capabilities include strategic partnerships, partnership agreements, contract negotiation, stakeholder management, go\-to\-market strategy, content acquisition, D2C and e\-commerce strategy, streaming media, legacy catalog management, artist development, music licensing, music publishing, music supervision, music law, record\-label and A&R work, and live events\. Jordan also works with AI and generative AI, business intelligence, data analysis, global campaigns, KPI implementation, operational systems, project and program management, Salesforce, HubSpot, Jira, Kanban, WordPress, and Adobe Creative Suite\.

### What is Jordan’s creative background?

Jordan is a trained percussionist\. That creative background accompanies Jordan’s professional work directly with artists and other creative talent, including music licensing, artist relations, live experiences, and creator\-focused platform development\.

## Links

- LinkedIn: https://www\.linkedin\.com/in/ACoAAAJc3rYBkzQlGoCvXOWjCWK2TZkGRdl\_0Xk

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